…a connection with them and to hear their story. My friend and assistant Charly held the flash, and BAM, the shots appeared right before my…
…The Gear The main light for this shoot was the THREE, a 261W off-camera flash from Elinchrom with a mono-bloc design. I’ve shot with various…
…ocean’s sea creatures go extinct, my assistant and I got to work on shooting them. Restricted by airline luggage policies, I had chosen my most…
…I experienced, were the inevitable time constraints when shooting a documentary. Sometimes, photographers have to shoot the required portraits during periods when weather, light, or…
…and on-location shoots, having equipment that adapts to my shooting style is crucial. The ELB 1200 kit provides the flexibility I need, delivering reliable performance…
…new studio flash that was smaller and lighter, designed specifically for the photographer to manipulate the shadow. I bought into the Elinchrom dream and got…
…from the same background paper we used for the shoot. What I wanted to show was how easy it is to get images with different…
…determines the softness or sharpness of the shadow’s edge. If the flag is closer to the subject, the shadow will be sharper. If the flag…
…studio environment, flash is typically fired at your camera’s sync speed (traditional flash), where the brief burst of light from the flash stops movement rather…
…this light shaper, I’m ready to shoot quality photos in no time. When you work with lights, you know that shape and size matter, but…
