…ocean’s sea creatures go extinct, my assistant and I got to work on shooting them. Restricted by airline luggage policies, I had chosen my most…
…topic should not rest on my feelings or hearsay; it should be rooted in evidence. I wanted to come up with a test that would…
…I experienced, were the inevitable time constraints when shooting a documentary. Sometimes, photographers have to shoot the required portraits during periods when weather, light, or…
…and on-location shoots, having equipment that adapts to my shooting style is crucial. The ELB 1200 kit provides the flexibility I need, delivering reliable performance…
…new studio flash that was smaller and lighter, designed specifically for the photographer to manipulate the shadow. I bought into the Elinchrom dream and got…
…from the same background paper we used for the shoot. What I wanted to show was how easy it is to get images with different…
…determines the softness or sharpness of the shadow’s edge. If the flag is closer to the subject, the shadow will be sharper. If the flag…
…studio environment, flash is typically fired at your camera’s sync speed (traditional flash), where the brief burst of light from the flash stops movement rather…
…The Gear The main light for this shoot was the THREE, a 261W off-camera flash from Elinchrom with a mono-bloc design. I’ve shot with various…
…flash tubes, this may help make the most of your light shaper. But, it doesn’t change the fact that recessed tubes are recessed, but it…
