…two Rotalux Go Recta, in combination with an Elinchrom ONE and an ELC 125, Anthony experimented a basic still life setup for food photography. Why…
…and impactful imagery often begins with us moving outside our comfort zones, exploring new techniques, and incorporating personal stories and styles. Recently, amidst the numerous…
…at it, which is exactly what I needed the light to capture. Shooting with the LED 100 C felt completely natural. With continuous light, I…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…within the photography community. Elinchrom’s commitment to education and community support aligns directly with my aims and values. By providing resources, workshops, and a platform…
…is where the Elinchrom THREE came in. Compact, lightweight, and battery powered, the THREE was the perfect companion for this remote shoot. It gave us…
…avoid getting multiple shadows that are very common with LEDs, similar to that found on the Elinchrom ONE. The OCF Diffusion Dome is also helpful…
…director of AdrenalMedia.com an International Media Agency for clients such as Le Mans 24Hr and the FIA World Endurance Championships, MotoGP, Fujifilm, Sony, the Clipper…
…leaf blower, we were able to disperse the fog throughout the woods. However, this still proved to be complicated, and my assistant Shane Roy operated…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
