…comes to lighting, I’ve learned it’s often best to say, “Ok, this looks great! What if we try something else?” I love the four light…
…composition aesthetically but also hold vibrant color and versatility for various arrangements. We opted for a combination of small branches, roses, orchids, and daisies that…
…exposure compensation on the Transmitter. We can now create our dramatic shots easily while the camera and the Transmitter Pro do most of the technical…
…and impactful imagery often begins with us moving outside our comfort zones, exploring new techniques, and incorporating personal stories and styles. Recently, amidst the numerous…
…a choice between translucent, opaque (white), silver, or gold deflectors. With this design, all of their lights, except the ONE and THREE, are compatible with…
…Though it may seem intricate and daunting, achieving this look isn’t as complicated as you might think! Creating moody and cinematic portraits is something photographer…
…for it to get dark before coming back to shoot. The action in these images was minimal and with the scene being completely dark, overpowering…
…to try and shoot this without a strobe, these would be extremely challenging conditions. The background would have been completely blown out if I had…
…two Rotalux Go Recta, in combination with an Elinchrom ONE and an ELC 125, Anthony experimented a basic still life setup for food photography. Why…
…it time and time again! Rembrandt lighting involves positioning the light to the side of the subject, casting a shadow from their nose that completely…
