…comes to lighting, I’ve learned it’s often best to say, “Ok, this looks great! What if we try something else?” I love the four light…
…going to share three ways you can use umbrellas in your work for years to come. Umbrellas primarily come in two varieties – shallow and…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…within the photography community. Elinchrom’s commitment to education and community support aligns directly with my aims and values. By providing resources, workshops, and a platform…
…a key light in various compositions he worked on. With a simple and ingenious configuration, check out what Aakaash could produce. After almost two years…
…at it, which is exactly what I needed the light to capture. Shooting with the LED 100 C felt completely natural. With continuous light, I…
…director of AdrenalMedia.com an International Media Agency for clients such as Le Mans 24Hr and the FIA World Endurance Championships, MotoGP, Fujifilm, Sony, the Clipper…
…leaf blower, we were able to disperse the fog throughout the woods. However, this still proved to be complicated, and my assistant Shane Roy operated…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…small enough to be portable, yet sturdy enough to stand up to harsh conditions, while delivering a focused light that is perfect for complementing hard…
