…loud fans and gusting winds that made it difficult for verbal communication. So having the familiarity of working with someone whom I already had reported…
…a staple in my work. I’ll start by sharing with you how umbrellas differ by comparing images from a recent test and then I am…
…a color grade depends entirely on what is in front of the camera. Everything from the skin tone of the subject, to the wardrobe, to…
…and bring attention to things that don’t – and can’t – always take centre stage. Read the complete story here: www.thestudiom.com Related products Related articles…
…college years. These lights served me well in the studio. However, as my career evolved and commissions increasingly took me to the homes of celebrities,…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…the quality of light. CHAPTER 03 – (5:30 – 9:18) The art of positioning your light to control your shadows. CHAPTER 04 – (10:48 –…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…want to freeze everything. The beauty of these lights is they have a beautiful short flash duration, which does an excellent job of capturing things…
…temperature instantly, I could go from a warm, inviting glow to a cooler, crisper tone with just a turn of the dial. It let me…
