…the services or information created, collected, compiled or submitted to elinchrom.com, you agree to be bound by the following terms and conditions of use. If…
…my lighting is a critical component to my approach. For me, the greatest challenge in commercial photography is creating images on a schedule. We gather…
…but it doesn’t compromise on strength or quality of light. Make things easier I run a workshop called “Play to Learn”, and for the…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…to avoid the image from getting too flat. Having Black V-Flats on either side of her also helped to bring those shadows in and help…
…the side of her body, and the side of her head. These shadows create a more three-dimensional look and flatter the model. Here’s another example…
…is where the Elinchrom THREE came in. Compact, lightweight, and battery powered, the THREE was the perfect companion for this remote shoot. It gave us…
…cheek, nose, and around her eye help to sculpt her face and create a more intense mood. I put both layers of diffusion that come…
…Beauty Dish Reflector 44cm (17.3″), added as an experiment during the light test provided an excellent outcome, adding the ‘commercial touch’ I was trying to…
…created using an ELB 500 TTL with one head, a standard 18 cm reflector, and a 20° grid. The setup of the battery pack is…
