…modifiers, such as Deep Umbrellas, Deep Rotalux, or even Litemotiv Para Softboxes. I went the other way this time and brought the smallest modifiers from…
…Drone indoors. Ab Sesay also talks about his choice of model and when it’s good to work with familiar faces. On this shoot, there were…
…a remarkable portrait, classical, fine art, or commercial, requires building trust and comfort with your subject. It’s essential to involve them in your vision, making…
…composition aesthetically but also hold vibrant color and versatility for various arrangements. We opted for a combination of small branches, roses, orchids, and daisies that…
…have worked frequently with in the past. She’s dedicated, talented and enthusiastic, and I love any chance to create with her. We rented gowns from…
…Beauty Dish Reflector 44cm (17.3″), added as an experiment during the light test provided an excellent outcome, adding the ‘commercial touch’ I was trying to…
…for magazines, commercial photography for brands, or my own creations. Light has always fascinated me, since I started photography. After all, without light, you can’t…
…lighting is essential when creating color images. The light from this modifier is similar to what you would expect from a softbox: you’ll notice that…
…additional challenge. In such situations, non-verbal communication and improvisation play crucial roles, as the language barrier combined with cultural differences frequently leads to unexpected moments….
…a choice between translucent, opaque (white), silver, or gold deflectors. With this design, all of their lights, except the ONE and THREE, are compatible with…
